拉莉萨经典影评； 人啊，为什么自知将死才知晓自身的虚空呢？可怕的是这还算好的呢
鄙人素来钟爱惊悚片，所以每每发现一部评分不低的作品，总会心头一热，视为珍馐，看前总会充满期待，看时总是全神贯注，看完通常会想：这部片子恐怖在哪，什么地方最能让我心弦绷紧，汗毛倒竖?而本片带给我的直观感受则可以用两个字来形容：绝望
但那种绝望、无助、无缘由的恐惧感没有了，就是普普通通的哥特式故事，最后的高潮部分有些力道不足，没有红死病的假面具那么惊艳
1980其它剧情片《拉莉萨》剧情；A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.　　Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.力盾影院手机免费在线播放看看片完整版无删在线观看聚集，最新，好看又名在线影视免费在线观看星空影院。在线播放高清版未删减版在线观看高清QVOD电影电视剧,VIP视频力盾影院，韩剧tv、香港TVB剧、日本动漫、泰剧、美剧、综艺大狗狗影视天狼影视