芳心封鎖经典影评； “此在”与梦境在林奇的闪光与媒介魔术之下不再拥有区分
说说看时最击中我的几场戏吧：1.男人和女人在一个餐馆里讲起那个自杀死去的教授时
整体没什么逻辑，没事可以看看解压放松
1969其它剧情片《芳心封鎖》剧情；The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.金圣电影网专业提供电视剧完整版电影影片电影、影视剧集、动漫少儿等，电影电视剧综艺动漫资讯又名超清的动作电影尽在影视作品。最快,最热门全集高清完整版在线观看88影视金圣电影网，影视作品电影电视剧综艺动漫资讯观看高清视频